Each song on this tape became a story in that city, while the tape itself is like the city holding these stories. “Nightshift” tells about the workers who clean the buildings where power is held, and the contrast between their lives and where they clean. “Flowers” comments on the rate of young black men getting killed, where another victim dies even before the last mourning flowers have dried. There are stories about tower block life, the claiming of a postcode or how the city wears a Swastika like a proud badge in Post-Brexit UK.
This beautiful cassette collects a pile of special riddim cuts from the Jahtari vaults, from re-edited classics by Bo Marley, unreleased gems by John Frum, to completely new experiments, all lovingly dubbed live and soaked in analogue goodness by disrupt.